Composers Now is pleased to announce the launch of its innovative new initiative, Dialogues, hosted by Composers Now Founder/Artistic Director Tania León. Events in the series open with inspiring performances followed by thought-provoking town hall-style conversations, a forum for meaningful exchanges of ideas between composers, performers and audiences.
Tuesday, May 24, 2022, 8 pm
Marc Scorca Hall of the National Opera Center
+ Livestream Access
Composers Now presents Dialogues, hosted by Composers Now Founder/Artistic Director Tania León, on Tuesday, May 24 at 7pm in Marc Scorca Hall at the National Opera Center. Dialogues unite living composers, inspired performances and audiences culminating in a lively conversation about music, the arts, community and society.
For May 24, composers Lucía Caruso (with performer/producer Pedro da Silva), Amirtha Kidambi and Tamar Muskal (with visual artist/sculptor Daniel Rozin) showcase projects where their compositions are in collaboration with voice enhancement, MIDI, virtual reality and interactive digital technologies.
Covid Safety Protocols: Visit the venue's website for up-to-date Covid safety protocols: https://www.operaamerica.org/national-opera-center/covid-19-safety/
The event will also be live streamed for those who prefer to attend from other locations. Advance registration is required.
Thursday, October 28, 2021, 8 pm
Marc Scorca Hall of the National Opera Center
+ Livestream Access
João Luiz Polina Nazaykinskaya Bora Yoon
Dialogues is hosted by Composers Now Founder/Artistic Director Tania León. On the 28th, she welcomed three dynamic and virtuosic artists, João Luiz, Polina Nazaykinskaya and Bora Yoon to join her in-person as Composers Now continues its on-stage return with a live audience in Marc Scorca Hall at the National Opera Center.
Monday, September 27, 2021, 8 pm
Marc Scorca Hall of the National Opera Center
+ Livestream Access
On the 27th, Composers Now Founder/Artistic Director Tania León welcomed three dynamic and virtuosic artists, Whitney George, Adonis Gonzalez, and Yumi Kurosawa, to join her in-person as Composers Now stepped back on stage with a live audience - its first such endeavor since the start of the Pandemic - in Marc Scorca Hall at the National Opera Center. The event was livestreamed for those who prefered to attend from the comfort of their own homes.
Composers Now presented its sixth Dialogues, hosted by Composers Now Founder/Artistic Director Tania León. The evening featured composers Nicole Mitchell, John King and Andreia Pinto Correia. The event was safely streamed to the comfort of your living room.
The performances were followed by a discussion among composers, performers and audience members.
Composers Now and Civitella Ranieri co-presented Dialogues. This evening featured Civitellian composers who have been awarded affiliated fellowships with Composers Now: Jane Rigler (CRF 2016), Darcy James Argue (CRF 2017), Pauchi Sasaki (CRF 2018), and Missy Mazzoli (CRF 2019). The program ran from 7:30 to 9:45, with a post-concert reception.
National Opera Center | Wednesday, December 4, 2019 | 7:30 pm
330 Seventh Avenue
New York, NY 10001
Civitella Ranieri is a residency program that has hosted over 900 Fellows and Director's Guests at its 15th-century castle in Umbria. 2019 marks Civitella's 25th year of providing a safe haven, hospitality, and sustenance for international artists, composers, and writers.
Ursula Corning established the Civitella Ranieri Foundation to carry on her tradition of hospitality and support for the arts. We invite you to celebrate this milestone by joining us at any or all of the 25 worldwide and online events planned for 2019.
Composers Now, Steinway, ASCAP, and The ASCAP Foundation co-presented Dialogues on Friday, November 30, 2018, at 7:30 pm. This evening featured composers Courtney Bryan (New Orleans, US), Felipe Lara (Brazil, US), and Žibuoklė Martinaitytė (Lithuania, US) with conversation catalysts Timo Andres, Marcos Balter and Hannah Selin, hosted by Composers Now Founder/Artistic Director Tania León.
Steinway Hall | Friday, November 30, 2018 | 7pm
1133 Sixth Avenue
New York, NY 10036
Photo credits: Elizabeth Leitzell, Rolex/Hugo Glendinning, Lina Aiduke
Courtney Bryan, a native of New Orleans, La, is "a pianist and composer of panoramic interests" (New York Times). Her music is in conversation with various musical genres, including jazz and other types of experimental music, as well as traditional gospel, spirituals, and hymns. Focusing on bridging the sacred and the secular, Bryan's compositions explore human emotions through sound, confronting the challenge of notating the feeling of improvisation. Bryan has academic degrees from Oberlin Conservatory (BM), Rutgers University (MM), and Columbia University (DMA) with advisor George Lewis, and completed an appointment as Postdoctoral Research Associate in the Department of African American Studies at Princeton University. Bryan is an Assistant Professor of Music at Tulane University's Newcomb Department of Music, and serves as a board member of the Musical Arts Society of New Orleans (MASNO), Composers Now, and New Music USA.
Bryan's work has been presented in a wide range of venues, including Lincoln Center, Miller Theatre, Symphony Space, The Stone, Roulette Intermedium, La MaMa Experimental Theatre, National Gallery of Art, Blue Note Jazz Club, Jazz Gallery, Bethany and Abyssinian Baptist Churches, and Ojai Music Festival. Upcoming commissions include compositions for the Jacksonville Symphony, Quince Contemporary Vocal Ensemble, Ensemble Pi, Aperture Duo, Davóne Tines, and collaborations with writers Sharan Strange and Ashon Crawley, and artists Amy Bryan, Alma Bryan Powell, and Tiona McClodden. She has two independent recordings, "Quest for Freedom" (2007) and "This Little Light of Mine" (2010).
Praised by the New York Times as "a gifted Brazilian-American modernist" whose works are "brilliantly realized," "technically formidable, wildly varied," and possess "voluptuous, elemental lyrics," Felipe Lara's work—which includes orchestral, chamber, vocal, film, electroacoustic, and popular music—has been commissioned by leading soloists, ensembles, and institutions such as the Arditti Quartet, Brentano Quartet, Claire Chase, Conrad Tao, Donaueschinger Musiktage, Duo Diorama, Ensemble InterContemporain, Ensemble Modern, Helsinki Philharmonic Orchestra, International Contemporary Ensemble, Los Angeles Philharmonic, and São Paulo Symphony Orchestra, and also performed by the Ensemble Recherche, Ilan Volkov, JACK Quartet, KNM Berlin, Mivos Quartet, Netherlands Radio Philharmonic, Nouvel Ensemble Moderne, Peter Eötvös, Steven Schick, and Tanglewood Music Center Orchestra.
His compositions have been presented by Aspen Music Festival, Centre Acanthes (France), Acht Brücken Festival (Germany), Aldeburgh Music Festival (UK), Ars Musica (Belgium), Art Institute of Chicago, Aspekte Festival (Austria), Budapest Music Center, Carnegie Hall Neighborhood Concerts, Darmstadt, Donaueschinger Musiktage, Frankfurt Musikfest, Huddersfield, Lincoln Center's Mostly Mozart, Philharmonie de Paris, and Tanglewood's Festival for Contemporary Music, TimeSpans, to name a few.
Lara holds a B.M. in music composition and film scoring from Berklee College of Music, an M.M. in composition from Tufts University, and a Ph.D. from New York University. Lara was also a fellow at the Radcliffe Institute for Advanced Study at Harvard University. He is an Associate Professor at Boston Conservatory, Faculty at Johns Hopkins University's Peabody Institute, and Lecturer at Harvard's Department of Music.
Described by WQXR as a "textural magician", Žibuoklė Martinaitytė is a New York-based Lithuanian composer whose works explore the tensions and longings of identity and place. She creates sonic environments where musical gestures emerge and disappear within transparencies and densities of sound layers. It's music that slides on the very blades of emotions.
Ms. Martinaitytė's A Thousand Doors To The World was commissioned by the Lithuanian Radio to celebrate Vilnius being named the Culture Capital of Europe in 2009. The premiere was broadcast by Euroradio to an audience of 4 million.
Her US commissions include the MATA, Look+Listen and Other Minds festivals as well as the Barlow Endowment. Žibuoklė has received residency fellowships from the MacDowell Colony, the Aaron Copland House, the Millay Colony, Harvestworks, Djerassi and the Cité des Arts (Paris).
Her recent projects include an hour-long multimedia piece "In Search of Lost Beauty," scored for piano trio, electronics, and video projections to be released on Starkland in 2019 and a solo CD "Horizons" of orchestral and large ensemble works, released in 2017 by LMIC.
Founded in 1975, The ASCAP Foundation is a charitable organization dedicated to supporting American music creators and encouraging their development through music education, talent development and humanitarian programs. Included in these are songwriting workshops, grants, scholarships, awards, recognition and community outreach programs. The ASCAP Foundation is supported by contributions from ASCAP members and from music lovers throughout the United States. www.ascapfoundation.org
Composers Now and the Americas Society co-presented Dialogues No. 3 on December 6, 2017. This third Dialogues event featured renowned composers Zosha Di Castri (Canada), Pauchi Sasaki (Peru, Japan) and Miguel Zenón (Puerto Rico) with conversation catalysts Martha Mooke, Du Yun and David Bridges, hosted by Composers Now founder/Artistic Director Tania León. Continue reading for more details on this exciting event celebrating living composers.
Americas Society / Council of the Americas
Zosha Di Castri is a Canadian composer/pianist living in New York. Her work (which has been performed in Canada, the US, South America, and Europe) extends beyond purely concert music including projects with electronics, soundarts and collaborations with video and dance. She has worked with such ensembles as the San Francisco Symphony, Montreal Symphony Orchestra, the National Arts Centre Orchestra, the L.A. Philharmonic, the Chicago Symphony Orchestra, the International Contemporary Ensemble, Wet Ink, Ekmeles, Nouvel Ensemble Moderne, and Talea Ensemble among others. Zosha is currently an Assistant Professor of Music at Columbia University.
Peruvian-Japanese composer Pauchi Sasaki weaves styles and disciplines in her creative process. Her work reflects a great interest in interdisciplinary research that induces the interaction between artwork, space, and audience. She collaborates actively with projects linked to dance, film, theater, installation and multimedia performances. As a performer and composer, she has been invited to several festivals in Chile, Japan, Peru, Spain, Switzerland, and the United States. Sasaki was awarded two "Best Original Music" awards from the XV International Latinoamerican Film Festival of Lima and the National Film Council of Peru. Pauchi graduated from the Electronic Music and Recording Media MFA program at Mills College, Oakland.
Multiple Grammy Nominee and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often-contradictory poles of innovation and tradition. Widely considered as one of the most groundbreaking and influential saxophonists of his generation, he has also developed a unique voice as a composer and as a conceptualist, concentrating his efforts on perfecting a fine mix between Latin American folkloric music and jazz. Born and raised in San Juan, Puerto Rico, Zenón has released nine recordings as a leader, including the Grammy-nominated Alma Adentro (2011) and Identities Are Changeable(2014). As a composer, he has been commissioned by SFJAZZ, The New York State Council for the Arts, Chamber Music America, The John Simon Guggenheim Foundation, Peak Performances, PRISM Quartet, and many of his peers. Zenón has given hundreds of lectures and master classes at institutions all over the world and is a permanent faculty member at New England Conservatory of Music.
Composers Now and the Baryshnikov Arts Center co-presented Dialogues No. 2 on November 1, 2016. This second Dialogues event featured renowned composers Esperanza Spalding, Margaret Brouwer and Du Yun with conversation catalysts Felipe Lara, Milica Paranosic, Miya Masaoka and Jeffrey Scott. Continue reading for more details on this exciting event celebrating living composers.
Esperanza Spalding, four-time Grammy Award winner, is a composer, bassist, and vocalist, expansive, iterative, shape-shifting, open, and progressively innovative. The New York Times declared that she "has made her mark not just as a virtuoso jazz bassist or an effortlessly nimble singer but as an exotic hybrid of the two. The very nature of her talent is exceptional". In the past decade of her illustrious career, she has performed at the Oscars, the Grammys, the Nobel Prize ceremony, and several times at the White House, Spalding has continually and brilliantly married genres, pushed boundaries, and created groundbreaking work. Just 31 and with these accomplishments behind her, she is on a lifelong artistic journey which began while watching Yo-Yo Ma on an episode of Mister Rogers' Neighborhood. Her first instrument was the violin and she was playing with the Chamber Music Society of Oregon in her hometown of Portland at the age of five. Eventually, her focus shifted to composing and playing acoustic bass. Spalding joined her first band, Noise for Pretend, as both bassist and vocalist. Eventually, she moved to the east coast, graduated from the Berklee College of Music at age 20, and became the school's youngest-ever instructor. A voracious and magnetic performer, Spalding has shared the stage with her own revolving ensembles, Herbie Hancock, Stevie Wonder, Janelle Monae, and Prince, among others. Her recorded catalog features seven collaborative and five solo albums, the most recent of which is Emily's D+Evolution on the Concord label.
Margaret Brouwer is known for creating music that abounds in lyricism, strong imagery and emotional power. The Dallas Morning News declared she "has one of the most delicate ears and inventive imaginations among contemporary American composers." Reviewing her 2014 Naxos CD, released as part of the label's American Classics Series, NewMusicBox wrote, "From the relentless, primal energy of 'Shattered Glass' to the naked beauty of 'Whom do you call angel now?'…Brouwer's music represents just how uniquely diverse the output and voice of a single composer can be." Reviewing the same disc, The Classical Reviewer stated that the composer "has an ear for creating some exquisite sounds and textures that listeners will find beguiling." Among the ensembles to champion her works are the St. Paul Chamber Orchestra, the Dallas Symphony, the American Composers Orchestra, CityMusic Cleveland and the American Modern Ensemble, and she has served as composer-in-residence of the Cabrillo Music Festival. In March 2017 Brouwer's Pluto for orchestra and chorus receives multiple performances with the Maryland Symphony. She is the founder of the Blue Streak Ensemble which brings innovative and eclectic music to new audiences across the country. The Margaret Brouwer Collection, containing her scores, manuscripts, papers and recordings, was created by the Music Division of The New York Public Library for the Performing Arts at Lincoln Center in 2015. Brouwer served as head of the composition department at the Cleveland Institute of Music from 1996 to 2008.
Du Yun, born and raised in Shanghai, China, and currently based in New York, is a composer, multi-instrumentalist, performance artist, and activist for new music, working at the intersection of orchestral, opera, chamber music, theatre, cabaret, pop music, oral tradition, visual arts, electronics and noise. Hailed by the New York Times "as a leading figure in China's new generation of composers", she was selected by the National Public Radio as one of its 100 Composers Under 40, featured as One of the Top Creatives by Origin Magazine in 2015, and her opera Angel's Bone received its world premiere as part of the 2016 Prototype Festival. The Financial Times characterizes her work as "riveting...a significant voice". Chameleonic in her protean artistic outputs, Du's music is championed by some of today's finest performing artists, ensembles, orchestras and organizations including the BAM Next Wave Festival, the Seattle Symphony, the Detroit Symphony, Matt Haimovitz and Claire Chase. In addition, she has also made works in the art world, including the 4th Guangzhou Art Triennial, Sharjah Biennial (UAE), Auckland Triennial, Istanbul Biennial, and the inaugural Shanghai Project under the curator Hans Ulrich Obrist and Youngwoo Lee. She is a member of the composition faculty at SUNY-Purchase, was a founding member of the International Contemporary Ensemble (ICE), and currently serves as the Artistic Director of MATA, a pioneering organization dedicated to commissioning and championing young composers from around the world.
The first Dialogues took place on September 25, 2015 at the Dwyer Cultural Center. The theme for the inaugural year is "the impact of the arts in our society," and events will be scheduled in every borough.
Composers Now founder and artistic director Tania León was recently featured in an interview on new music blog I Care If You Listen. Read the full article to learn what she has to say about Composers Now, Dialogues, and the future of music.
Nkeiru Okoye, Conversation Catalyst, with composers Courtney Bryan & Valerie Coleman
DIALOGUES NO. 1September 25, 2015
258 Saint Nicholas Avenue
COMPOSERS & PERFORMERS:
Marcos Balter, composer
Members of Composers Now
Julian de la Chica, composer; with other audience members
Valerie Coleman, composer & flutist; with fellow Imani Winds members: Mariam Adam, clarinetist & Monica Ellis, bassoonist
In addition to the Dwyer Cultural Center, Composers Now is proud to collaborate with the International Communications Association, the Harlem Cultural Archives and the Harlem Arts Alliance.